Millward, H, Kelemen, M ORCID: https://orcid.org/0000-0001-7362-4082 and Mangan, A (2019) Co-Producing Community and Individual Change through Theatrical Interventions. Organizational Aesthetics, 8 (1). 34 -50.

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Abstract

This article sheds light on the role of co-produced creative methods in creating change, with particular reference to marginalized communities and taboo topics. In doing so, the paper offers a vignette of a day-long theatrical outreach event exploring the topic of female genital mutilation (FGM). Our paper offers discussion of how creative methods can facilitate individual and collective change surrounding taboo topics, such as FGM, rather than the often discussed relationship between creative methods and organizational change. Furthermore, we suggest that co-produced creative methods are beneficial in providing communities with opportunities to approach taboo societal issues in new and inclusive ways.

Item Type: Article
Additional Information: This is the final published version of the article (version of record). It first appeared online via The Art of Management and Organization at https://digitalcommons.wpi.edu/oa/vol8/iss1/8 - please refer to any applicable terms of use of the publisher.
Subjects: H Social Sciences > HD Industries. Land use. Labor > HD28 Management. Industrial Management
H Social Sciences > HT Communities. Classes. Races
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
Divisions: Faculty of Humanities and Social Sciences > Keele Management School
Depositing User: Symplectic
Date Deposited: 18 Jun 2019 10:20
Last Modified: 18 Jun 2019 10:23
URI: http://eprints.keele.ac.uk/id/eprint/6498

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