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Number of items at this level: 20.

A

Archer, N (2016) Beyond a Joke: Parody in English Film and Television Comedy. I. B. Tauris, London.

Archer, N (2016) Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014). Studies in European Cinema, 13 (3). pp. 246-259.

Archer, N (2017) Genre on the Road: The Road Movie as Automobilities Research. Mobilities, 12 (4). pp. 509-519.

Archer, N (2017) Gone Girl (2012/14) and the Use(s) of Culture. Literature Film Quarterly. (In Press)

Archer, N (2014) A Novel Experience in Crime Narrative: Watching and Reading The Killing. Adaptation, 7 (2).

Archer, N (2016) 'Speeds of Sound: On Fast Talking in Slow Movies'. Cinema Journal, 55 (2).

Archer, N (2016) Studying Hot Fuzz. Auteur, Leighton Buzzard.

Archer, N (2016) The road movie: in search of meaning. Short Cuts: Introductions to Film Studies . New York, London, ? - ? (144).

F

Featherstone, MA (2016) Carnotopia: The Culture of Sadism in Nymphomaniac, Shame, and Thanatomorphose. In: Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body. Wallflower, New York.

Featherstone, MA (2017) The Letting Go: The Horror of Being Orphaned in Nicolas Winding Refn's Cinema. Journal of Cultural Research.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2017) Politics and the Police: Documenting the 17th October 1961 Massacre. Contemporary French and Francophone Studies, 20 (4). pp. 599-606.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2016) Terrorism and visibility in Algeria’s ‘black decade’: Des hommes et des dieux (2010). French Cultural Studies, 27 (1). pp. 62-72.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2019) Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo. JCMS: Journal of Cinema and Media Studies, 58 (3). pp. 26-48.

Flood, MG (2018) (Un)familiar Fictions: The 17th October 1961 Massacre And Jacques Panijel’s Octobre À Paris (1962). Forum for Modern Language Studies, 54 (2). pp. 157-175.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2019) The Very Worst Things: Vulnerability and Violence in Djamila Sahraoui's Yema (2012). Studies in French Cinema, 19 (3). pp. 246-264.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2016) Women Resisting Terror: Imaginaries of Violence in Algeria (1966–2002). The Journal of North African Studies, 22 (1). pp. 109-131.

H

Haynes, Simon (1997) Narrating horror: the horror film as cultural construct. Doctoral thesis, Keele University.

L

Lau, L and Mendes, AC (2014) India through re-Orientalist Lenses. Interventions: International Journal of Postcolonial Studies, 17 (5). pp. 706-727.

M

McWilliam, DS (2015) Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott’s Prometheus (2012). Journal of the Fantastic in the Arts, 26 (3).

S

Seager, NP (2018) Pouring out of one vessel into another: Originality and Imitation in Two Modern Adaptations of Tristram Shandy. Adaptation, 11 (3). pp. 228-251.

This list was generated on Tue Jul 23 05:21:10 2019 UTC.