Archer, N ORCID: https://orcid.org/0000-0001-9035-1979 (2017) Gone Girl (2012/14) and the Use(s) of Culture. Literature Film Quarterly. (In Press)

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Abstract

Looking comparatively and respectively at the two recent iterations of Gone Girl – Gillian Flynn’s 2012 novel, and the David Fincher-directed film from 2014 – this essay focuses on the texts’ specific concerns with cultural use, within a mass-media and post-recessional landscape that has only further called into question the meaning and value of “Culture” itself. Looking specifically at the commercial contexts and processes of cinematic adaptation, and some of the discourses around Fincher’s film version, the essay considers the extent to which such contemporary “event” adaptations reinforce the redundancies and commodification latent within such production; while arguing, nevertheless, that the film’s ambivalent engagement with the practices of mass media positions it within the reconfigured terms of film noir, in a post-Cultural context.

Item Type: Article
Subjects: P Language and Literature > PN Literature (General) > PN0080 Criticism
P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Divisions: Faculty of Humanities and Social Sciences > School of Humanities
Depositing User: Symplectic
Date Deposited: 22 May 2017 14:46
Last Modified: 11 Mar 2021 15:49
URI: https://eprints.keele.ac.uk/id/eprint/3449

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