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Lamont, A ORCID: https://orcid.org/0000-0003-4113-1018 and Loveday, C
(2020)
A New Framework for Understanding Memories and Preference for Music.
Music & Science, 3.
205920432094831 - 205920432094831.
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2059204320948315.pdf - Published Version Available under License Creative Commons Attribution Non-commercial. Download (313kB) | Preview |
Abstract
<jats:p> What can musical memories tell us about preference, and what can musical preferences tell us about memory? In this article we contrast the two perspectives using a dialogic conversation, drawing on insights brought into relief at the recent Music and Lifetime Memories conference. We use dialogue to present two different bodies of relevant background literature and theory and consider their overlaps, interactions, and contradictions in depth. We then compare our two different approaches to the same dataset – the Desert Island Discs archive – which provide complementary perspectives and insights. We interpret each other’s analyses from our own perspectives, and finally conclude with reflections on future directions for the field. </jats:p>
Item Type: | Article |
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Additional Information: | https://creativecommons.org/licenses/by-nc/4.0/This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage). |
Uncontrolled Keywords: | Aesthetics, autobiographical memory, emotion, identity, memory, preference, repetition, self |
Subjects: | B Philosophy. Psychology. Religion > BF Psychology |
Divisions: | Faculty of Natural Sciences > School of Psychology |
Depositing User: | Symplectic |
Date Deposited: | 08 Dec 2020 13:28 |
Last Modified: | 08 Dec 2020 13:28 |
URI: | https://eprints.keele.ac.uk/id/eprint/8994 |
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