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Article

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2021) The ‘curious effects’ of acting: homosexuality, theatre and female impersonation at the University of Cambridge, 1900-1939. Twentieth Century British History.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2021) Queer juxtapositions in the art of Francis Bacon and Lilliput magazine. Visual Culture in Britain, 21 (3). pp. 275-295.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2020) ‘Religion, cross-dressing and sexual desire in the art of Simeon Solomon’, Review of the Pre-Raphaelite Society. PRS Review.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2018) Review of exhibitions British Library, “Gay UK: Love, Law and Liberty” (2017) British Museum, “Desire, Love, Identity: Exploring LGBTQ Histories” (2017) Tate Britain, “Queer British Art, 1861-1967” (2017). QED: A Journal in GLBTQ Worldmaking, 5 (1). pp. 103-111.

Janes, DTS (2017) Early Twentieth-Century Vogue, George Wolfe Plank and the ‘Freaks of Mayfair’. Visual Culture in Britain, 18 (1). pp. 68-83.

Janes, DTS (2016) The Wordless Book: The Visual and Material Culture of Evangelism in Victorian Britain. Material Religion: the journal of objects, art and belief, 12 (1). pp. 26-49.

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