Keele Research Repository
Explore the Repository
- Library of Congress Subject Areas (29)
- N Fine Arts (29)
- N Visual arts (General) For photography, see TR (29)
- N Fine Arts (29)
A
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2021)
French connection UK: the Dinard film festival and the politics of culture.
Studies in European Cinema.
1 - 15.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2021)
Ken Loach and the Comedians: The Politics of ‘Acting’.
Journal of British Cinema and Television, 18 (3).
pp. 280-302.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2020)
UEFA at the movies: producing space in the 21st century football film.
Sport in Society.
B
Bernard, M ORCID: https://orcid.org/0000-0003-2414-9558
(2018)
[5.8] S4 - Meet Me at Live Age.
[Video]
(Unpublished)
Bisht, P (2017) Back to The Drawing Board (2017, Documentary Film). [Video]
Bisht, P (2019) (Not) Acting Our Age (2019, Documentary Film). [Show/Exhibition] (Unpublished)
C
Croton, Robert ORCID: https://orcid.org/0000-0003-2428-1671
(2019)
Post-millennial South African theatre: politics, legacies and futures.
Doctoral thesis, Keele University.
D
Davies, William James (2016) A textual and theoretical reframing of Derek Jarman’s films in the context of British cinema in the 1970s and 1980s. Doctoral thesis, Keele University.
E
Everson, Paul and Stocker, David (2017) Transactions on the Dee: the ‘exceptional’ collection of early sculpture from St John’s, Chester. In: Crossing Boundaries: Interdisciplinary Approaches to the Art, Material Culture, Language and Literature of the Early Medieval World : essays presented to Professor Emeritus Richard N. Bailey, OBE, on the occasion of his eightieth birthday. Oxbow Books, Oxford, 160 - 178.
F
Featherstone, M (2019) Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism. In: Representing the Experience of War and Atrocity. Palgrave Studies in Crime, Media and Culture . Palgrave Macmillan, Cham, Switzerland, pp. 153-177.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2017)
Brutal Visability: Framing Majid's Suicide in Michael Haneke's Cache (2005).
Nottingham French Studies, 56 (1).
pp. 82-97.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2016)
France, Algeria and the Moving Image: Screening Histories of Violence (1962-2010).
Oxford: Legenda.
G
Giraud, EHS ORCID: https://orcid.org/0000-0003-0845-9804
(2019)
What Comes After Entanglement: Activism, anthropocentrism, and an ethics of exclusion.
Duke University Press, ? - ? (264).
J
Janes, D (2015) Cecil Beaton, Richard Hamilton and the queer, transatlantic origins of pop art. Visual Culture in Britain, 16 (3). pp. 308-330.
Janes, D (1998) God and gold in late antiquity. Cambridge University Press, Cambridge, ? - ? (211).
Janes, D (2015) The scene of the crime: police photographs, visual culture and sexuality. Legal Information Management, 15 (1). pp. 15-18.
Janes, DTS (2017) Early Twentieth-Century Vogue, George Wolfe Plank and the ‘Freaks of Mayfair’. Visual Culture in Britain, 18 (1). pp. 68-83.
Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326
(2021)
Queer juxtapositions in the art of Francis Bacon and Lilliput magazine.
Visual Culture in Britain, 21 (3).
pp. 275-295.
Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326
(2020)
‘Religion, cross-dressing and sexual desire in the art of Simeon Solomon’, Review of the Pre-Raphaelite Society.
PRS Review.
Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326
(2021)
The ‘curious effects’ of acting: homosexuality, theatre and female impersonation at the University of Cambridge, 1900-1939.
Twentieth Century British History.
K
Kelsall, Holly Anne (2022) Adapting Dickens for the screen. Doctoral thesis, Keele University.
L
Lippens, RLG (2018) When Law became Mobile: The Birth of the Haptic Gaze between Van Eyck's 'Man in a Red Turban' (1433) and da Messina's Male Portrait Series (1474-78). Law and Humanities, 11 (Winter).
M
Mangan, AML, Kelemen, ML ORCID: https://orcid.org/0000-0001-7362-4082 and Moffat, S
(2015)
Animating the classroom: Pedagogical responses to internationalisation.
Management Learning, 47 (3).
pp. 285-304.
Montero Diaz, RF ORCID: https://orcid.org/0000-0002-2244-2585
(2016)
[5.2c] (S6) Programa de Formación de Públicos.
[Video]
Morgan, C ORCID: https://orcid.org/0000-0002-1104-2842
(2020)
[5.1] SEAMS - Behind The Seams.
[Video]
(Unpublished)
Morgan, C ORCID: https://orcid.org/0000-0002-1104-2842
(2019)
[5.6] Circling (again).
[Video]
(Unpublished)
S
Seaton, Wallis Anne ORCID: https://orcid.org/0000-0002-3956-8141
(2018)
The labour of feminist performance: postfeminism, authenticity, and celebrity in contemporary representations of girlhood on screen.
Doctoral thesis, Keele University.
Y
Yearling, R ORCID: https://orcid.org/0000-0001-5156-3848
(2022)
Review of Shakespeare’s As You Like It (directed by Laurie Sansom for the Northern Broadsides theatre company) at the New Vic Theatre, Staffordshire, 10 February 2022.
Shakespeare.
Z
Zieleniec, AJL (2017) Graffiti. Criminology.