Group by: Creators | Item Type
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Number of items at this level: 29.


Archer, N ORCID: (2021) French connection UK: the Dinard film festival and the politics of culture. Studies in European Cinema. 1 - 15.

Archer, N ORCID: (2021) Ken Loach and the Comedians: The Politics of ‘Acting’. Journal of British Cinema and Television, 18 (3). pp. 280-302.

Archer, N ORCID: (2020) UEFA at the movies: producing space in the 21st century football film. Sport in Society.


Bernard, M ORCID: (2018) [5.8] S4 - Meet Me at Live Age. [Video] (Unpublished)

Bisht, P (2017) Back to The Drawing Board (2017, Documentary Film). [Video]

Bisht, P (2019) (Not) Acting Our Age (2019, Documentary Film). [Show/Exhibition] (Unpublished)


Croton, Robert ORCID: (2019) Post-millennial South African theatre: politics, legacies and futures. Doctoral thesis, Keele University.


Davies, William James (2016) A textual and theoretical reframing of Derek Jarman’s films in the context of British cinema in the 1970s and 1980s. Doctoral thesis, Keele University.


Everson, Paul and Stocker, David (2017) Transactions on the Dee: the ‘exceptional’ collection of early sculpture from St John’s, Chester. In: Crossing Boundaries: Interdisciplinary Approaches to the Art, Material Culture, Language and Literature of the Early Medieval World : essays presented to Professor Emeritus Richard N. Bailey, OBE, on the occasion of his eightieth birthday. Oxbow Books, Oxford, 160 - 178.


Featherstone, M (2019) Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism. In: Representing the Experience of War and Atrocity. Palgrave Studies in Crime, Media and Culture . Palgrave Macmillan, Cham, Switzerland, pp. 153-177.

Flood, MG ORCID: (2017) Brutal Visability: Framing Majid's Suicide in Michael Haneke's Cache (2005). Nottingham French Studies, 56 (1). pp. 82-97.

Flood, MG ORCID: (2016) France, Algeria and the Moving Image: Screening Histories of Violence (1962-2010). Oxford: Legenda.


Giraud, EHS ORCID: (2019) What Comes After Entanglement: Activism, anthropocentrism, and an ethics of exclusion. Duke University Press, ? - ? (264).


Janes, D (2015) Cecil Beaton, Richard Hamilton and the queer, transatlantic origins of pop art. Visual Culture in Britain, 16 (3). pp. 308-330.

Janes, D (1998) God and gold in late antiquity. Cambridge University Press, Cambridge, ? - ? (211).

Janes, D (2015) The scene of the crime: police photographs, visual culture and sexuality. Legal Information Management, 15 (1). pp. 15-18.

Janes, DTS (2017) Early Twentieth-Century Vogue, George Wolfe Plank and the ‘Freaks of Mayfair’. Visual Culture in Britain, 18 (1). pp. 68-83.

Janes, DTS ORCID: (2021) Queer juxtapositions in the art of Francis Bacon and Lilliput magazine. Visual Culture in Britain, 21 (3). pp. 275-295.

Janes, DTS ORCID: (2020) ‘Religion, cross-dressing and sexual desire in the art of Simeon Solomon’, Review of the Pre-Raphaelite Society. PRS Review.

Janes, DTS ORCID: (2021) The ‘curious effects’ of acting: homosexuality, theatre and female impersonation at the University of Cambridge, 1900-1939. Twentieth Century British History.


Kelsall, Holly Anne (2022) Adapting Dickens for the screen. Doctoral thesis, Keele University.


Lippens, RLG (2018) When Law became Mobile: The Birth of the Haptic Gaze between Van Eyck's 'Man in a Red Turban' (1433) and da Messina's Male Portrait Series (1474-78). Law and Humanities, 11 (Winter).


Mangan, AML, Kelemen, ML ORCID: and Moffat, S (2015) Animating the classroom: Pedagogical responses to internationalisation. Management Learning, 47 (3). pp. 285-304.

Montero Diaz, RF ORCID: (2016) [5.2c] (S6) Programa de Formación de Públicos. [Video]

Morgan, C ORCID: (2020) [5.1] SEAMS - Behind The Seams. [Video] (Unpublished)

Morgan, C ORCID: (2019) [5.6] Circling (again). [Video] (Unpublished)


Seaton, Wallis Anne ORCID: (2018) The labour of feminist performance: postfeminism, authenticity, and celebrity in contemporary representations of girlhood on screen. Doctoral thesis, Keele University.


Yearling, R ORCID: (2022) Review of Shakespeare’s As You Like It (directed by Laurie Sansom for the Northern Broadsides theatre company) at the New Vic Theatre, Staffordshire, 10 February 2022. Shakespeare.


Zieleniec, AJL (2017) Graffiti. Criminology.

This list was generated on Fri Nov 3 07:31:09 2023 UTC.