Keele Research Repository

A

Archer, N ORCID: https://orcid.org/0000-0001-9035-1979 (2021) French connection UK: the Dinard film festival and the politics of culture. Studies in European Cinema. 1 - 15.

Archer, N ORCID: https://orcid.org/0000-0001-9035-1979 (2021) Ken Loach and the Comedians: The Politics of ‘Acting’. Journal of British Cinema and Television, 18 (3). pp. 280-302.

Archer, N ORCID: https://orcid.org/0000-0001-9035-1979 (2020) UEFA at the movies: producing space in the 21st century football film. Sport in Society.

B

Bernard, M ORCID: https://orcid.org/0000-0003-2414-9558 (2018) [5.8] S4 - Meet Me at Live Age. [Video] (Unpublished)

Bisht, P (2017) Back to The Drawing Board (2017, Documentary Film). [Video]

Bisht, P (2019) (Not) Acting Our Age (2019, Documentary Film). [Show/Exhibition] (Unpublished)

C

Croton, Robert ORCID: https://orcid.org/0000-0003-2428-1671 (2019) Post-millennial South African theatre: politics, legacies and futures. Doctoral thesis, Keele University.

D

Davies, William James (2016) A textual and theoretical reframing of Derek Jarman’s films in the context of British cinema in the 1970s and 1980s. Doctoral thesis, Keele University.

E

Everson, Paul and Stocker, David (2017) Transactions on the Dee: the ‘exceptional’ collection of early sculpture from St John’s, Chester. In: Crossing Boundaries: Interdisciplinary Approaches to the Art, Material Culture, Language and Literature of the Early Medieval World : essays presented to Professor Emeritus Richard N. Bailey, OBE, on the occasion of his eightieth birthday. Oxbow Books, Oxford, 160 - 178.

F

Featherstone, M (2019) Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism. In: Representing the Experience of War and Atrocity. Palgrave Studies in Crime, Media and Culture . Palgrave Macmillan, Cham, Switzerland, pp. 153-177.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2017) Brutal Visability: Framing Majid's Suicide in Michael Haneke's Cache (2005). Nottingham French Studies, 56 (1). pp. 82-97.

Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2016) France, Algeria and the Moving Image: Screening Histories of Violence (1962-2010). Oxford: Legenda.

G

Giraud, EHS ORCID: https://orcid.org/0000-0003-0845-9804 (2019) What Comes After Entanglement: Activism, anthropocentrism, and an ethics of exclusion. Duke University Press, ? - ? (264).

J

Janes, D (2015) Cecil Beaton, Richard Hamilton and the queer, transatlantic origins of pop art. Visual Culture in Britain, 16 (3). pp. 308-330.

Janes, D (1998) God and gold in late antiquity. Cambridge University Press, Cambridge, ? - ? (211).

Janes, D (2015) The scene of the crime: police photographs, visual culture and sexuality. Legal Information Management, 15 (1). pp. 15-18.

Janes, DTS (2017) Early Twentieth-Century Vogue, George Wolfe Plank and the ‘Freaks of Mayfair’. Visual Culture in Britain, 18 (1). pp. 68-83.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2021) Queer juxtapositions in the art of Francis Bacon and Lilliput magazine. Visual Culture in Britain, 21 (3). pp. 275-295.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2020) ‘Religion, cross-dressing and sexual desire in the art of Simeon Solomon’, Review of the Pre-Raphaelite Society. PRS Review.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2021) The ‘curious effects’ of acting: homosexuality, theatre and female impersonation at the University of Cambridge, 1900-1939. Twentieth Century British History.

K

Kelsall, Holly Anne (2022) Adapting Dickens for the screen. Doctoral thesis, Keele University.

L

Lippens, RLG (2018) When Law became Mobile: The Birth of the Haptic Gaze between Van Eyck's 'Man in a Red Turban' (1433) and da Messina's Male Portrait Series (1474-78). Law and Humanities, 11 (Winter).

M

Mangan, AML, Kelemen, ML ORCID: https://orcid.org/0000-0001-7362-4082 and Moffat, S (2015) Animating the classroom: Pedagogical responses to internationalisation. Management Learning, 47 (3). pp. 285-304.

Montero Diaz, RF ORCID: https://orcid.org/0000-0002-2244-2585 (2016) [5.2c] (S6) Programa de Formación de Públicos. [Video]

Morgan, C ORCID: https://orcid.org/0000-0002-1104-2842 (2020) [5.1] SEAMS - Behind The Seams. [Video] (Unpublished)

Morgan, C ORCID: https://orcid.org/0000-0002-1104-2842 (2019) [5.6] Circling (again). [Video] (Unpublished)

S

Seaton, Wallis Anne ORCID: https://orcid.org/0000-0002-3956-8141 (2018) The labour of feminist performance: postfeminism, authenticity, and celebrity in contemporary representations of girlhood on screen. Doctoral thesis, Keele University.

Y

Yearling, R ORCID: https://orcid.org/0000-0001-5156-3848 (2022) Review of Shakespeare’s As You Like It (directed by Laurie Sansom for the Northern Broadsides theatre company) at the New Vic Theatre, Staffordshire, 10 February 2022. Shakespeare.

Z

Zieleniec, AJL (2017) Graffiti. Criminology.