Keele Research Repository

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Basten, Ruth Elizabeth (2014) The Circle of Life: Narrative, performativity and ageing in Peter Cheeseman’s documentary dramas Fight for Shelton Bar! and Nice Girls. Doctoral thesis, Keele University.

Bernard, M ORCID: https://orcid.org/0000-0003-2414-9558 (2018) [5.8] S4 - Meet Me at Live Age. [Video] (Unpublished)

Bernard, M and Rezzano, J (2018) Ages and Stages: creative participatory research with older people. In: Resilience and Ageing: creativity, culture and community. Policy Press, Bristol, pp. 43-64.

Bernard, M and Rezzano, J (2014) Ages and Stages: the cultural value of older people’s experiences of theatre making. Project Report. Keele University / Arts and Humanities Research Council, Keele.

Bernard, M, Rezzano, J and Rickett, M (2016) Ages and Stages: Bringing the Generations Together. In: Forschungsfeld Kulturgeragogik – Research in Cultural Geragogy. kopaed, Munich, 131 -148.

Bernard, M and Rickett, M (2014) Ageing, Drama and Creativity: a critical review. Project Report. Keele University / Arts and Humanities Research Council, Keele.

Bernard, M and Rickett, M (2018) Late Life Creativity: assessing the value of theatre in later life. In: Creativity in Later Life: Beyond Late Style. Routledge, London. (In Press)

Bisht, P (2019) (Not) Acting Our Age (2019, Documentary Film). [Show/Exhibition] (Unpublished)

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Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X (2016) France, Algeria and the Moving Image: Screening Histories of Violence (1962-2010). Oxford: Legenda.

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Giraud, EHS (2015) The cultural politics of pervasive drama: aural narrative, digital media and re-compositions of urban space. Journal of Sonic Studies, 9.

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Howlett, J (2019) Henry Caldwell Cook (1886-1939): Play, Performance and the Perse. In: British Pioneers in Arts Education: Unfolding creativity from 1890-1950. Palgrave Macmillan, London. (In Press)

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Janes, D (2013) Back to the future of the body. Cambridge Scholars Publishing, Newcastle-upon-Tyne, ? - ? (285).

Janes, D (2015) Cecil Beaton, Richard Hamilton and the queer, transatlantic origins of pop art. Visual Culture in Britain, 16 (3). pp. 308-330.

Janes, D (2015) Early Victorian moral anxiety and the queer legacy of the eighteenth-century gothic revival. In: Material religion in modern Britain : the spirit of things. Palgrave Macmillan, Basingstoke.

Janes, D (1998) God and gold in late antiquity. Cambridge University Press, Cambridge, ? - ? (211).

Janes, D (2015) Picturing the closet: male secrecy and homosexual visibility in Britain. Oxford University Press, New York, ? - ? (240).

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2020) ‘Religion, cross-dressing and sexual desire in the art of Simeon Solomon’, Review of the Pre-Raphaelite Society. PRS Review.

Janes, DTS ORCID: https://orcid.org/0000-0003-3751-5326 (2021) The ‘curious effects’ of acting: homosexuality, theatre and female impersonation at the University of Cambridge, 1900-1939. Twentieth Century British History.

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Kaptein, AA, van der Meer, PB, Florijn, BW, Hilt, AD, Murray, M and Schalij, MJ (2020) Heart in art: cardiovascular diseases in novels, films, and paintings. Philosophy, Ethics, and Humanities in Medicine, 15 (1). 2 - ?.

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Lam, B, Zamenopoulos, T, Kelemen, ML ORCID: https://orcid.org/0000-0001-7362-4082 and Hoo Na, J (2017) Unearth Hidden Assets through Community Co-design and Co-production. Design Journal, The, 20. S3601 - S3610.

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McCracken, S (2014) The mood of defeat. New Formations: a journal of culture/theory/politics (82). pp. 64-81.

Montero Diaz, RF ORCID: https://orcid.org/0000-0002-2244-2585 (2016) [5.2c] (S6) Programa de Formación de Públicos. [Video]

Morgan, C ORCID: https://orcid.org/0000-0002-1104-2842 (2020) [5.1] SEAMS - Behind The Seams. [Video] (Unpublished)

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Price, HP ORCID: https://orcid.org/0000-0003-1537-4390 (2022) Post-war Girlhoods: Jill Craigie, British Social Realism and Local Stardom. Screen (Oxford), 63 (1). pp. 22-46.

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Yearling, R ORCID: https://orcid.org/0000-0001-5156-3848 (2022) Review of Shakespeare’s As You Like It (directed by Laurie Sansom for the Northern Broadsides theatre company) at the New Vic Theatre, Staffordshire, 10 February 2022. Shakespeare.