Keele Research Repository
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- Library of Congress Subject Areas (25)
- P Language and Literature (25)
- PN Literature (General) (25)
- PN1993 Motion Pictures (25)
- PN Literature (General) (25)
- P Language and Literature (25)
A
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
Beyond a Joke: Parody in English Film and Television Comedy.
I. B. Tauris, London.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014).
Studies in European Cinema, 13 (3).
pp. 246-259.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2017)
Genre on the Road: The Road Movie as Automobilities Research.
Mobilities, 12 (4).
pp. 509-519.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2017)
Gone Girl (2012/14) and the Use(s) of Culture.
Literature Film Quarterly.
(In Press)
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2014)
A Novel Experience in Crime Narrative: Watching and Reading The Killing.
Adaptation, 7 (2).
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
'Speeds of Sound: On Fast Talking in Slow Movies'.
Cinema Journal, 55 (2).
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
Studying Hot Fuzz.
Auteur, Leighton Buzzard.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2019)
Transnational Science Fiction at the End of the World: Consensus, Conflict and the Politics of Climate Change.
Journal of Cinema and Media Studies, 58 (3).
pp. 1-25.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
The road movie: in search of meaning.
Short Cuts: Introductions to Film Studies
.
New York, London, ? - ? (144).
F
Featherstone, MA (2016) Carnotopia: The Culture of Sadism in Nymphomaniac, Shame, and Thanatomorphose. In: Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body. Wallflower, New York.
Featherstone, MA (2017) The Letting Go: The Horror of Being Orphaned in Nicolas Winding Refn's Cinema. Journal of Cultural Research.
Flood, M ORCID: https://orcid.org/0000-0002-7858-606X
(2020)
‘If there is no music, there will be no Mali’: Conflict, Documentary Film, and Music as Resistance in Mali, 2012–2015.
Bulletin of Francophone Postcolonial Studies.
(In Press)
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2019)
Lost Warrior: Interview with the Directors by Maria Flood.
[Video]
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2017)
Politics and the Police: Documenting the 17th October 1961 Massacre.
Contemporary French and Francophone Studies, 20 (4).
pp. 599-606.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2016)
Terrorism and visibility in Algeria’s ‘black decade’: Des hommes et des dieux (2010).
French Cultural Studies, 27 (1).
pp. 62-72.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2019)
Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo.
JCMS: Journal of Cinema and Media Studies, 58 (3).
pp. 26-48.
Flood, MG (2018) (Un)familiar Fictions: The 17th October 1961 Massacre And Jacques Panijel’s Octobre À Paris (1962). Forum for Modern Language Studies, 54 (2). pp. 157-175.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2019)
The Very Worst Things: Vulnerability and Violence in Djamila Sahraoui's Yema (2012).
Studies in French Cinema, 19 (3).
pp. 246-264.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2016)
Women Resisting Terror: Imaginaries of Violence in Algeria (1966–2002).
The Journal of North African Studies, 22 (1).
pp. 109-131.
H
Haynes, Simon (1997) Narrating horror: the horror film as cultural construct. Doctoral thesis, Keele University.
K
Kaptein, AA, Meulenberg, F and Murray, MP (2019) Artistic representations of infectious disease. Psychology, Health and Medicine. 1 - 5.
L
Lau, L ORCID: https://orcid.org/0000-0001-7295-336X and Mendes, AC
(2014)
India through re-Orientalist Lenses.
Interventions: International Journal of Postcolonial Studies, 17 (5).
pp. 706-727.
M
McWilliam, DS (2015) Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott’s Prometheus (2012). Journal of the Fantastic in the Arts, 26 (3).
Morgan, C ORCID: https://orcid.org/0000-0002-1104-2842
(2019)
[5.6] Circling (again).
[Video]
(Unpublished)
S
Seager, NP ORCID: https://orcid.org/0000-0002-4429-2047
(2018)
Pouring out of one vessel into another: Originality and Imitation in Two Modern Adaptations of Tristram Shandy.
Adaptation, 11 (3).
pp. 228-251.