Group by: Creators | Item Type
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Number of items at this level: 25.


Archer, N ORCID: (2016) Beyond a Joke: Parody in English Film and Television Comedy. I. B. Tauris, London.

Archer, N ORCID: (2016) Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014). Studies in European Cinema, 13 (3). pp. 246-259.

Archer, N ORCID: (2017) Genre on the Road: The Road Movie as Automobilities Research. Mobilities, 12 (4). pp. 509-519.

Archer, N ORCID: (2017) Gone Girl (2012/14) and the Use(s) of Culture. Literature Film Quarterly. (In Press)

Archer, N ORCID: (2014) A Novel Experience in Crime Narrative: Watching and Reading The Killing. Adaptation, 7 (2).

Archer, N ORCID: (2016) 'Speeds of Sound: On Fast Talking in Slow Movies'. Cinema Journal, 55 (2).

Archer, N ORCID: (2016) Studying Hot Fuzz. Auteur, Leighton Buzzard.

Archer, N ORCID: (2019) Transnational Science Fiction at the End of the World: Consensus, Conflict and the Politics of Climate Change. Journal of Cinema and Media Studies, 58 (3). pp. 1-25.

Archer, N ORCID: (2016) The road movie: in search of meaning. Short Cuts: Introductions to Film Studies . New York, London, ? - ? (144).


Featherstone, MA (2016) Carnotopia: The Culture of Sadism in Nymphomaniac, Shame, and Thanatomorphose. In: Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body. Wallflower, New York.

Featherstone, MA (2017) The Letting Go: The Horror of Being Orphaned in Nicolas Winding Refn's Cinema. Journal of Cultural Research.

Flood, M ORCID: (2020) ‘If there is no music, there will be no Mali’: Conflict, Documentary Film, and Music as Resistance in Mali, 2012–2015. Bulletin of Francophone Postcolonial Studies. (In Press)

Flood, MG ORCID: (2019) Lost Warrior: Interview with the Directors by Maria Flood. [Video]

Flood, MG ORCID: (2017) Politics and the Police: Documenting the 17th October 1961 Massacre. Contemporary French and Francophone Studies, 20 (4). pp. 599-606.

Flood, MG ORCID: (2016) Terrorism and visibility in Algeria’s ‘black decade’: Des hommes et des dieux (2010). French Cultural Studies, 27 (1). pp. 62-72.

Flood, MG ORCID: (2019) Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo. JCMS: Journal of Cinema and Media Studies, 58 (3). pp. 26-48.

Flood, MG (2018) (Un)familiar Fictions: The 17th October 1961 Massacre And Jacques Panijel’s Octobre À Paris (1962). Forum for Modern Language Studies, 54 (2). pp. 157-175.

Flood, MG ORCID: (2019) The Very Worst Things: Vulnerability and Violence in Djamila Sahraoui's Yema (2012). Studies in French Cinema, 19 (3). pp. 246-264.

Flood, MG ORCID: (2016) Women Resisting Terror: Imaginaries of Violence in Algeria (1966–2002). The Journal of North African Studies, 22 (1). pp. 109-131.


Haynes, Simon (1997) Narrating horror: the horror film as cultural construct. Doctoral thesis, Keele University.


Kaptein, AA, Meulenberg, F and Murray, MP (2019) Artistic representations of infectious disease. Psychology, Health and Medicine. 1 - 5.


Lau, L ORCID: and Mendes, AC (2014) India through re-Orientalist Lenses. Interventions: International Journal of Postcolonial Studies, 17 (5). pp. 706-727.


McWilliam, DS (2015) Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott’s Prometheus (2012). Journal of the Fantastic in the Arts, 26 (3).

Morgan, C ORCID: (2019) [5.6] Circling (again). [Video] (Unpublished)


Seager, NP ORCID: (2018) Pouring out of one vessel into another: Originality and Imitation in Two Modern Adaptations of Tristram Shandy. Adaptation, 11 (3). pp. 228-251.

This list was generated on Fri Nov 3 07:31:17 2023 UTC.