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Number of items at this level: 85.


Adcock, RC (2010) Anne Venn's A Wise Virgin's Lamp Burning (1658) in the Household of Anne Dunch, Sister-in-law to Richard Cromwell. Notes and Queries: for readers and writers, collectors and librarians, 57 (4). 501 -503.

Adcock, RC ORCID: (2021) Aphra Behn's The City Heiress. In The Cambridge Edition of the Works of Aphra Behn, Vol. IV: Plays 1682-96 (General eds. Mel Evans, Elaine Hobby, Gillian Wright, Claire Bowditch). Cambridge University Press.

Adcock, RC (2011) "As Shee Preachers Hold Forth Christ": Sara Jones's Challenge to Episcopacy, The Relation of a Gentlewoman (1642). Prose Studies: history, theory, criticism, 33 (1). 1 -18.

Adcock, RC ORCID: (2015) Baptist Women's Writings in Revolutionary Culture, 1640-1680. Ashgate, ? - ? (232).

Adcock, RC ORCID: (2020) Believers’ Baptism, Commemoration, and Communal Identity in Revolutionary England. In: Memory and the English Reformation. Cambridge University Press, 388 - 402.

Adcock, RC (2014) "Jack Presbyter in His Proper Habit": subverting Whig rhetoric in Aphra Behn's The Roundheads (1682). Women's Writing, 22 (1). 34 -55.

Adcock, RC (2011) "Like to an anatomy before us": Deborah Huish's spiritual experiences and the attempt to establish the fifth monarchy. The Seventeenth Century, 26 (1). 44 -68.

Adcock, RC (2012) Review: A Company of Women Preachers: Baptist Prophetesses in Seventeenth-Century England, a Reader, ed. by Curtis W. Freeman (Waco: Baylor University Press, 2011). The Seventeenth Century, 27. 237 -238.

Adcock, RC (2014) Review: Staging Women and the Soul-Body Dynamic in Early Modern England, Sarah E. Johnson. Early Modern Studies Journal, 6.

Amigoni, D (2017) Writing the scientist: biography and autobiography. In: Ashgate Research Companion to Nineteenth-century Literature and Science. Ashgate.

Andrew, J (2022) ‘By creating plot texts, man learnt to distinguish plots in life and thus to make sense of life’: a discussion of narratology in the work of Juri Lotman. Neohelicon, 49 (2). 627 - 644.

Archer, N ORCID: (2014) A Novel Experience in Crime Narrative: Watching and Reading The Killing. Adaptation, 7 (2).

Archer, N ORCID: (2019) Transnational Science Fiction at the End of the World: Consensus, Conflict and the Politics of Climate Change. Journal of Cinema and Media Studies, 58 (3). pp. 1-25.


Bentley, NP ORCID: (2016) The Novel Sequence. In: The Oxford History of the Novel in English. Oxford University Press, Corby, 258 -271.

Bentley, NP ORCID: (2014) Staring at the Rudeboys: The Representation of Youth Subcultures in Gautam Malkani’s Londonstani and John King’s Skinheads. In: Subcultures, Popular Music and Social Change. Cambridge Scholars Publishing, 175 - 192 (17).

Bowler, R ORCID: (2021) Comfort Food and Respectability Politics in Claude McKay’s Home to Harlem and Banjo: A Story Without a Plot. Modernism/Modernity. (In Press)

Bowler, R ORCID: (2020) May Sinclair and the Brontë myth: rewilding and dissocializing Charlotte. Feminist Modernist Studies. 1 - 17.

Bowler, R and Drewery, C (2020) One Hundred Years of the Stream of Consciousness: Editors’ Introduction. Literature Compass, 17 (6).

Bowler, R and Fifield, P (2020) The Dental Record, Miscellany and the Mediator as Crank. Pilgrimages : A Journal of Dorothy Richardson Studies, 10. pp. 51-70.


Campion, Jennifer (2019) 1. How not to get pregnant, 2. Between places: the walking-writing method in rural industrial space. Doctoral thesis, Keele University.

Coquaz, Amandine Laurence Nadine (2020) Toi: a novel. Doctoral thesis, Keele University.

Curley, David A (2019) ‘Indifferent nature’: a comparative discussion of the production of rural space in the work of Ivan Turgenev and Thomas Hardy. Doctoral thesis, Keele University.


Fletcher, P ORCID: (2019) Book Review: Intuitionistic Proof Versus Classical Truth: The Role of Brouwer's Creative Subject in Intuitionistic Mathematics. Studia Logica, 107 (4). 845 - 851.


Gläser, M and Baiasu, S ORCID: (2023) Aspects of Practical Bindingness in Kant: Introduction. Philosophia.


Harris, OCG (2018) William Burroughs' Cut-Ups Lost and Found in Translation. L'Esprit Createur: a critical quarterly of French literature, 58 (4). pp. 31-48.


Jackson, Kathrine Angela (2014) Pre-Raphaelite and Working-Class poetry, 1850-1900: an examination of a contiguous tradition. Doctoral thesis, Keele University.

Janes, D (2014) Oscar Wilde, sodomy and mental illness in late Victorian England. Journal of the History of Sexuality, 23 (1). pp. 79-95.

Janes, D (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. University of Chicago Press, Chicago, ? - ? (267).

Jayathilake, Rajakarunanayake Mudiyanselage Chitra (2015) Biopolitics and postcolonial theatre: a comparative study of Anglophone plays in South Africa, India and Sri Lanka. Doctoral thesis, Keele University.


Kaptein, AA, Meulenberg, F and Murray, MP (2019) Artistic representations of infectious disease. Psychology, Health and Medicine. 1 - 5.

Kistler, JL (2018) Mesmeric Rapport: the power of female sympathy in Bram Stoker’s Dracula. Journal of Victorian Culture, 23 (3). pp. 366-380.

Kistler, JL (2016) A Poem Without An Author. Victorian Literature and Culture, 44 (4). 875 - 886.


Lau, L ORCID: and Mendes, AC (2014) India through re-Orientalist Lenses. Interventions: International Journal of Postcolonial Studies, 17 (5). pp. 706-727.

Lau, L ORCID: and Mendes, AC (2018) Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid’s and Mira Nair’s The Reluctant Fundamentalist. Journal of Commonwealth Literature, 53 (1). pp. 78-91.

Lau, LE ORCID: (2018) Re-orientalism and Representation: Aman Sethi Talks About Delhi. Journal of Postcolonial Writing, 54 (3). pp. 372-386.

Lau, LE ORCID: (2016) The Sinhalese Diaspora: New Directions of Sri Lankan Diasporic Writing. South Asia: journal of South Asian studies.

Liapi, E (2017) The Talke of the Towne: News, Crime and the Public Sphere is 17th Century London. Cultural and Social History, 14 (5). pp. 549-564.

Liapi, L (2017) The Talke of the Towne: News, Crime and the Public Sphere in Seven. Cultural and Social History.

Lidstone-Sinha, Margot J. (1981) 'Female', 'feminine' and 'feminist' in the work of twentieth-century women novelists. Doctoral thesis, Keele University.

Lustig, TJ ORCID: (2019) Critical Edition of The Sacred Fount. Cambridge University Press.

Lustig, TJ ORCID: (2022) Inscription and Intergenerational Connection in Arthur Ransome's Lakeland Novels. Children's Literature in Education.


McCracken, MS (2015) 'Ein weites Feld' as Post–Cold War Novel. Novel: a forum on fiction, 48 (2). pp. 190-207.

McWilliam, DS (2015) Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott’s Prometheus (2012). Journal of the Fantastic in the Arts, 26 (3).

Mcwilliam, DS (2019) 'No Alternative: Aborted Revolutions and Lost Futures in Mr. Robot'. In: International Gothic Association Conference 2019. (Unpublished)

Mendes, AC and Lau, L ORCID: (2019) The precarious lives of India’s Others: The creativity of precarity in Arundhati Roy’s The Ministry of Utmost Happiness. Journal of Postcolonial Writing. 1 - 13.

Morgan, C ORCID: (2023) 'Mauve/d'. Annie Journal.

Morgan, C ORCID: (2019) [5.6] Circling (again). [Video] (Unpublished)

Morgan, C ORCID: (2021) Québec’s new regional fiction: Louise Penny and Johanne Seymour. British Journal of Canadian Studies, 33 (2). pp. 225-240.

Morgan, C ORCID: (2019) ’Urbs, ’urb girls and Martine Delvaux’s Rose amer. Québec Studies, 68.

Morgan, CM ORCID: (2018) Sonic Spectres: Word Ghosts in Madeleine Thien's Dogs at the Perimeter and the digital map project, 'Fictional Montreal/Montreal fictif'. The London Journal of Canadian Studies, 33 (4). pp. 40-57.


O'Neill, Victoria Ruth Woodgate (2015) The role of the feminine in masculine cycles of death, rebirth and new life: Dostoevsky, Tolstoy, Babel, Bulgakov and Pasternak. Doctoral thesis, Keele University.


Palladino, M ORCID: (2012) Aphrodite's faces: Toni Morrison's Love and Ethics. MFS Modern Fiction Studies, 58 (2). 334 -352.

Palladino, M ORCID: (2014) Divorce and dialogue: intertextuality in Amara Lakhous' Divorzio all'islamica a viale Marconi. Language and Intercultural Communication, 14 (3). 287 -303.

Palladino, M ORCID: (2014) From Roots to Borders: trans-coastal narratives across the Mediterranean. Comparative Critical Studies, 11 (2-3). pp. 219-234.

Palladino, M ORCID: (2011) Migration, Literature and Hybridity, by S. Pultz Moslund Palgrave, 2010. Journal of Postcolonial Writing, 48 (2). pp. 226-227.

Palladino, M ORCID: (2011) Review of 'Critical Identities in Contemporary Anglophone Diasporic Literature', by Françoise Král. Journal of Postcolonial Writing, 47 (1). pp. 112-118.

Palladino, M ORCID: (2013) Review of 'Postcolonial Cinema Studies' by Sandra Ponzanesi and Marguerite Waller. Journal of Postcolonial Writing, 48 (5).

Palladino, M ORCID: (2015) Review of 'The postcolonial museum: the arts of memory and the pressures of histories'. Journal of Postcolonial Writing, 52 (6). pp. 754-755.

Palladino, M ORCID: Review of 'Toni Morrison: An Ethical Poetics' by Yvette Christianse. MFS: Modern Fiction Studies, 61 (3). pp. 553-555.

Palladino, M ORCID: (2013) Review of Postcolonial Spaces, by Teverson A. and Upstone S. (eds). Palgrave MacMillan 2012. Journal of Postcolonial Writing, 49 (2). pp. 239-240.

Palladino, M ORCID: (2005) Sound and sign in Toni Morrison's 'Jazz'. Ecloga. 34 -50.

Parker, E ORCID: (2021) Alfred and Emily (2008): Speculation in the Aftermath of Empire. Critical Quarterly, 63 (1). 110 - 120.

Peacock, JH (2018) The Blot Inside: Jonathan Lethem’s A Gambler’s Anatomy, Lack, Dissent, and Corporate Power. Review of Contemporary Fiction. (In Press)

Peacock, JH (2018) Charles Brockden Brown’s Wieland; or The Transformation (1798). In: The Gothic: a reader. Peter Lang, Oxford, pp. 39-44.

Peacock, JH (2013) Divided Loyalties, Changing Landscapes: William McIlvanney’s Laidlaw Novels. English, 52 (236). 69 - 86 (17).

Peacock, JH (2015) An Interview with Emily Barton. Contemporary Literature, 56 (1).

Peacock, JH Risk, Disappointment and Distraction in Keith Gessen’s All the Sad Young Literary Men. European Journal of American Studies, 9 (1).

Peacock, JH (2019) Those the dead left behind: Gentrification and Haunting in Contemporary Brooklyn Fictions. Studies in American Fiction, 46 (1). pp. 131-156.

Pritchett, Elizabeth Reed Jackson (2017) Vital texts: democratic intertextuality in Dorothy Richardson’s Pilgrimage (1915-1938/67). Doctoral thesis, Keele University.


Sampson, Eleonore Sophie (2021) 1. The revolt of the dolls: a novel and 2. The revolt of the dolls and other small rebellions: a critical introduction to the fairy-tales of Sophie von Baudissin. Doctoral thesis, Keele University.

Seager, NP ORCID: (2022) The Afterlife of Daniel Defoe's Captain Singleton in the Seven Years' War. The Review of English Studies: the leading journal of English literature and language.

Seager, NP ORCID: (2020) Defoe's Authorship of A Hymn to the Mob (1715). Notes and Queries, 67 (3).

Shaw, Kristian (2016) A unified scene? cosmopolitanism in contemporary British and American fiction. Doctoral thesis, Keele University.

Shears, JR ORCID: (2023) 'Thou Breath of Autumn’s Being': Voicing Masculinity in the Poetry of Late Life. Journal of the British Academy, 11 (Supple). (In Press)

Shears, JR ORCID: (2021) The Aesthetics of Senescence: Aging, Population, and the Nineteenth-Century British Novel. Andrea Charise. Albany: State University of New York Press, 2020. Pp. xlv+194. Modern Philology, 118 (4). E264 - E266.

Shears, JR (2017) Byron and Premature Aging. Nineteenth-Century Gender Studies, 13 (2). ? - ? (29).

Shears, JR ORCID: (2018) I Ask His Pardon for a Postscript: Byron's Epistolary Afterthoughts. In: Byron and Marginality. Edinburgh University Press, 291 - 307.

Shears, JR (2017) In One We Shall Be Slower: Byron, Retribution and Forgiveness. Christianity and Literature, 66 (2). pp. 193-212.

Shears, JR and Fallon, D (2019) Romanticism and Ageing: An Introduction. Romanticism, 25 (3). pp. 217-224.

Sodano, JP (2018) Uneasy Passions: The Spectator’s Divergent Interpretations of Locke’s Theory of Emotion. Eighteenth Century, 58 (4). 449 -467.


Talbott, S ORCID: (2021) ‘Causing misery and suffering miserably’: Representations of the Thirty Years’ War in literature and history. Literature and History, 30 (1). pp. 3-25.

Temple, Nigel Hal Longdale (1985) George Repton's Pavilion Notebook: a catalogue raisonne. Doctoral thesis, Keele University.

Tyrrell, Susan E. (2013) Tennessee Williams’ “Plastic Theatre”: an examination of contradiction. Doctoral thesis, Keele University.


Yearling, R (2020) “Distinguishing Form”: Shakespeare, Perspective and the Heartlessness of Comedy. Shakespeare, 16 (4). pp. 373-381.

Yearling, R (2011) Rivalry and romance in late Shakespeare. Essays in Criticism: a quarterly journal of literary criticism, 61 (3). pp. 232-248.

This list was generated on Fri Nov 3 07:31:14 2023 UTC.