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Group by: Creators | Item Type
Jump to: B | G | H | L | M | O | P | R | S | T | V | W
Number of items at this level: 35.

B

Balzarano, Jason Patrick (2019) Fusion: jazz, flamenco, and rethinking aesthetic. Doctoral thesis, Keele University.

Battey, B and Fischman Steremberg, RA (2016) Convergence of Time and Space: The Practice of Visual Music from an Electroacoustic Music Perspective. In: The Oxford Handbook of Sound and Image in Western Art. Oxford University Press.

Bentley, NP, Johnson, B and Zieleniec, AJL (2018) Youth Subcultures in Fiction, Film and Other Media Teenage Dreams. Palgrave Studies in the History of Subcultures and Popular Music . Springer, ? - ? (263).

G

Garro, D (2017) Autonomous Meridian Sensory Response – from Internet subculture to audiovisual therapy. Proceedings of the Electronic Visualisation and the Art Conference.

Garro, D (2017) Autonomous Meridian Sensory Response: from Internet subculture to audiovisual therapy. Proceedings of the Electronic Visualisation and the Art Conference (EVA London 2017). pp. 395-402.

Garro, D (2017) Autonomous Sensory Meridian Response as platform for creative work in digital fixed media. In: Electronic Visualisation and the Art Conference, 11/07/2017 - 13/07/2017, London, UK.

Garro, D (2014) DAMMTOR - audiovisual composition. [Video]

Garro, D (2014) From ‘concert’ to ‘screening’: visual anecdotes in Electroacoustic Music presentations. In: Electroacoustic Music Studies Network Conference, 10.06.14 - 14.06.14, Berlin, Germany.

Garro, D (2014) On the Brink of (In)visibility - Granulation Techniques in Visual Music. eContact!, 4 (15).

Garro, D (2005) A glow on Pythagoras’ curtain: a composer’s perspective on electroacoustic music with video. In: Electroacoustic Music Studies Network Conference - Sound In Multimedia Contexts, 19-22 Oct 2005, Montreal.

Garro, D (2015) The poetry of things: anecdotes and mimesis in Visual Music. Sonic Ideas, 7th year, number 14, 7 (14). 9 - 18.

H

Hallett, R and Lamont, A (2014) How do gym members engage with music during exercise? Qualitative Research in Sport, Exercise and Health, 7 (3). pp. 411-427.

L

Lamont, A (2015) What else can music preferences do?: a commentary on Clark and Giacomantonio. Empirical Musicology Review, 10 (1/2). pp. 66-70.

Lamont, AM and Hallett, RJ (2016) Music Use in Exercise: A Questionnaire Study. Media Psychology.

M

Montero Diaz, F (2009) Danza de Tijeras through Modernity and Migration. In: Musike: International Journal of Ethnomusicological Studies. Musike (Semar editore), 3 (5/6). Semar Publishers, Rome, The Hague, 1 -18.

Montero Diaz, F (2018) La música fusión, ¿verdadera inclusión? Una exploración de la escena fusión en Lima (Music fusion, true inclusion? An exploration of the fusion scene in Lima). Anthropologica, 36 (40). 97 -120.

Montero Diaz, F (2017) Montero Diaz on Shaw, 'Song and Social Change in Latin America'. Humanities and Social Sciences Online (H-Net Music).

Montero Diaz, F (2017) Review of "A Latin American Music Reader: Views from the South" by Javier León and Helena Simonett. In: Yearbook for Traditional Music. International Council for Traditional Music, W3 - W5.

Montero Diaz, F (2013) Review of Intimate Distance: Andean Music in Japan, by Michelle Bigenho. Journal of the Royal Anthropological Institute, 19 (2). 425 -426.

Montero Diaz, F (2018) Review of Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico by Petra R. Rivera-Rideau. Journal of Latin American Studies, 50 (1). 262 - 264.

Montero Diaz, F (2016) Singing the war: reconfiguring white upper-class identity through fusion music in post-war Lima. Ethnomusicology Forum.

Montero Diaz, F (2018) Turning Things Around? From White Fusion Stars with Andean Flavour ro Andean Fusion Stars with White Appeal. Popular Music, 37 (3).

O

Oakes, H, Oakes, S and Abolhasani, M (2017) Music in advertising and consumer identity: The search for Heideggerian authenticity. Marketing Theory.

P

Peacock, JH (2010) A Tale of Too Many Cities: The Clash’s ‘Ghetto Defendant’ and Transnational Disruptions. Symbiosis: a Journal of Anglo-American Literary Relations, 14 (1). 19 -41.

Prescott, Tom (2018) Sound design, composition and performance with interactive genetic algorithms. Doctoral thesis, Keele University.

R

Reyland, NW (2015) Corporate Classicism and the Metaphysical Style: Affects, Effects, and Contexts of Two Recent Trends in Screen Scoring. Music, Sound, and the Moving Image, 9 (2). 115 - 130.

Reyland, NW (2015) The Spaces of Dream: Lutoslawski's Modernist Heterotopias. Twentieth-Century Music, 12 (1). 37 -70.

S

Shave, Thomas (2013) Hybridism: a practice-led investigation. Doctoral thesis, Keele University.

T

Tartaglia, JPF (2016) Jazz-Philosophy Fusion. Performance Philosophy, 2 (1). 1 -16.

Tartaglia, JPF (2017) The Sound of Philosophy. Philosophy Now (119).

V

Vasilakos, Konstantinos (2016) An evaluation of digital interfaces for music composition and improvisation. Doctoral thesis, Keele University.

Vaughan, MP (2016) Register, Dialect, Convolution and ‘Crosstalk’: reflections on ‘… the zones of influence and hybridity between electroacoustic, acousmatique music, techno and IDM’. Contemporary Music Review.

W

Watts, Sarah (2015) Spectral Immersions: A Comprehensive Guide To The Theory And Practice Of Bass Clarinet Multiphonics. Doctoral thesis, Keele University.

Williams, AJ (2017) Genres and Theatres: Wolfgang Rihm's Opera-Fantasy Dionysos. Contemporary Music Review, 36 (4). pp. 279-310.

Willy, Andrew Martyn (2013) A portfolio of compositions consisting of Sketches, Mutations, Evolution, Emergence, Insomnia, Xpressions, and Ut infinitio quod ultra. Doctoral thesis, Keele University.

This list was generated on Mon Mar 25 08:02:05 2019 UTC.