Group by: Creators | Item Type
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Number of items at this level: 67.


Adams, F ORCID: (2019) From Homophony to Polyphony: Law and Music a Consonant Duet for Future Legal Thinking and Practice? The Student Journal of Professional Practice and Academic Research, 1 (2).

Almeida, Nelson Cavalcanti de (1999) Portfolio of musical compositions; 'Presépio', 'Xilogravuras', 'Palmares', 'Visagem', 'A Nau', 'Sertões', 'Quadro Quaderna'. Doctoral thesis, Keele University.

Anderson, Timothy Jack (2019) A portfolio of three cross-media compositions : Notes from the Conference, Parallel Lines and Mother, Baby, Life. Masters thesis, Keele University.


Baines, Simon (1996) The evolution of orchestral brass in the last hundred years: organology, trends in performance practice and their effects. Doctoral thesis, Keele University.

Balzarano, Jason Patrick (2019) Fusion: jazz, flamenco, and rethinking aesthetic. Doctoral thesis, Keele University.

Battey, B and Fischman Steremberg, RA (2016) Convergence of Time and Space: The Practice of Visual Music from an Electroacoustic Music Perspective. In: The Oxford Handbook of Sound and Image in Western Art. Oxford University Press.

Bentley, NP ORCID:, Johnson, B and Zieleniec, AJL (2018) Youth Subcultures in Fiction, Film and Other Media Teenage Dreams. Palgrave Studies in the History of Subcultures and Popular Music . Springer, ? - ? (263).

Bird, Stephen (2010) Composing with images: a portfolio of audiovisual works exploring the compositional potential of associative sonic, visual and intellectual imagery. Doctoral thesis, Keele University.

Blackburn, M (2019) Editorial: Borrowing, quotation, sampling and plundering. Organised Sound, 24 (2). 115 -120.

Blackburn, M ORCID: (2011) Importing the Sonic Souvenir: issues of cross-cultural composition. In: Electroacoustic Music Studies Network Conference (Sforzando!), Jun 2011, New York.

Blackburn, M ORCID: (2017) Other people’s sounds: examples and implications of borrowed audio. In: Electroacoustic Music Studies Network Conference, 4 - 8 Sep 2017, Nagoya, Japan.

Blackburn, M ORCID: (2019) Working with brevity: Short soundfiles in electroacoustic composition. In: International Computer Music Conference, 14-21 Jun 2019, New York.

Bridger, Michael (1987) Structural, expressive and contextual aspects of selected electro-acoustic compositions by Berio, Cage, Ligeti, Stockhausen and Varese. Doctoral thesis, Keele University.


Fischman Steremberg, R (2017) [5.2] (S2) 2 lukas proceso clouds. [Video] (Unpublished)

Flood, M ORCID: (2020) ‘If there is no music, there will be no Mali’: Conflict, Documentary Film, and Music as Resistance in Mali, 2012–2015. Bulletin of Francophone Postcolonial Studies. (In Press)


Garro, D (2017) Autonomous Meridian Sensory Response – from Internet subculture to audiovisual therapy. Proceedings of the Electronic Visualisation and the Art Conference.

Garro, D (2017) Autonomous Meridian Sensory Response: from Internet subculture to audiovisual therapy. Proceedings of the Electronic Visualisation and the Art Conference (EVA London 2017). pp. 395-402.

Garro, D (2017) Autonomous Sensory Meridian Response as platform for creative work in digital fixed media. In: Electronic Visualisation and the Art Conference, 11/07/2017 - 13/07/2017, London, UK.

Garro, D (2014) DAMMTOR - audiovisual composition. [Video]

Garro, D (2014) From ‘concert’ to ‘screening’: visual anecdotes in Electroacoustic Music presentations. In: Electroacoustic Music Studies Network Conference, 10.06.14 - 14.06.14, Berlin, Germany.

Garro, D (2014) On the Brink of (In)visibility - Granulation Techniques in Visual Music. eContact!, 4 (15).

Garro, D (2005) A glow on Pythagoras’ curtain: a composer’s perspective on electroacoustic music with video. In: Electroacoustic Music Studies Network Conference - Sound In Multimedia Contexts, 19-22 Oct 2005, Montreal.

Garro, D (2015) The poetry of things: anecdotes and mimesis in Visual Music. Sonic Ideas, 7th year, number 14, 7 (14). 9 - 18.


Hallett, R and Lamont, A ORCID: (2019) An interpretative phenomenological analysis of exercisers’ use of music during workouts. Psychology of Music, 49 (2). pp. 193-215.

Hallett, R and Lamont, AM (2014) How do gym members engage with music during exercise? Qualitative Research in Sport, Exercise and Health, 7 (3). pp. 411-427.


Kaptein, AA, Meulenberg, F and Murray, MP (2019) Artistic representations of infectious disease. Psychology, Health and Medicine. 1 - 5.


Lamont, A ORCID: and Crich, J (2022) Where do our music preferences come from? Family influences on music across childhood, adolescence and early adulthood. Journal of Popular Music Education, 6 (1). 25 -43.

Lamont, A ORCID: (2021) Making a Difference with Music Psychology Research: Strategy, Serendipity, and Surviving a Global Pandemic. Music & Science, 4.

Lamont, A ORCID: (2020) Moving towards music: Viewing early years musical engagement through the lenses of movement, interaction, motivation, agency, identity and context. International Journal of Music in Early Childhood, 15 (1). pp. 25-38.

Lamont, A ORCID: and Ranaweera, NA (2020) Knit One, Play One: Comparing the Effects of Amateur Knitting and Amateur Music Participation on Happiness and Wellbeing. Applied Research in Quality of Life, 15 (5). pp. 1303-1322.

Lamont, AM (2015) What else can music preferences do?: a commentary on Clark and Giacomantonio. Empirical Musicology Review, 10 (1/2). pp. 66-70.

Lamont, AM and Hallett, RJ (2016) Music Use in Exercise: A Questionnaire Study. Media Psychology, 20 (4). pp. 658-684.


Montero Diaz, F (2009) Danza de Tijeras through Modernity and Migration. In: Musike: International Journal of Ethnomusicological Studies. Musike (Semar editore), 3 (5/6). Semar Publishers, Rome, The Hague, 1 -18.

Montero Diaz, F (2018) La música fusión, ¿verdadera inclusión? Una exploración de la escena fusión en Lima (Music fusion, true inclusion? An exploration of the fusion scene in Lima). Anthropologica, 36 (40). 97 -120.

Montero Diaz, F (2017) Montero Diaz on Shaw, 'Song and Social Change in Latin America'. Humanities and Social Sciences Online (H-Net Music).

Montero Diaz, F (2017) Review of "A Latin American Music Reader: Views from the South" by Javier León and Helena Simonett. In: Yearbook for Traditional Music. International Council for Traditional Music, W3 - W5.

Montero Diaz, F (2013) Review of Intimate Distance: Andean Music in Japan, by Michelle Bigenho. Journal of the Royal Anthropological Institute, 19 (2). 425 -426.

Montero Diaz, F (2018) Review of Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico by Petra R. Rivera-Rideau. Journal of Latin American Studies, 50 (1). 262 - 264.

Montero Diaz, F (2016) Singing the war: reconfiguring white upper-class identity through fusion music in post-war Lima. Ethnomusicology Forum, 25 (2). pp. 191-209.

Montero Diaz, F (2018) Turning Things Around? From White Fusion Stars with Andean Flavour ro Andean Fusion Stars with White Appeal. Popular Music, 37 (3).

Montero Diaz, F and Stobart, H (2019) 'Andean Music', Oxford Bibliographies in Latin American Studies. In: Latin American Studies. Oxford Bibliography . Oxford University Press.

Montero Diaz, RF ORCID: (2016) [5.2c] (S6) Programa de Formación de Públicos. [Video]

Montero Diaz, RF (2019) Marginal ¡como tú! Las clases altas tradicionales limeñas construyendo ciudadanía a través de la música fusión. In: 4th SIMM-posium – organized by the SIMM-platform (Social Impact of Making Music), 26-27 Jul 2019, Bogota, Colombia. (Unpublished)

Montero-Diaz, F (2019) Marginal like you!: constructing citizenship through fusion music in the Peruvian traditional upper classes. In: Citizenship in the Latin American Upper and Middle Classes: Ethnographic Perspectives on Culture and Politics. Routledge Advances in Sociology . Routledge, London, 62 -79.


Oakes, H, Oakes, S and Abolhasani, M (2017) Music in advertising and consumer identity: The search for Heideggerian authenticity. Marketing Theory, 17 (4). pp. 473-490.


Peacock, JH (2010) A Tale of Too Many Cities: The Clash’s ‘Ghetto Defendant’ and Transnational Disruptions. Symbiosis: a Journal of Anglo-American Literary Relations, 14 (1). 19 -41.

Prescott, Tom (2018) Sound design, composition and performance with interactive genetic algorithms. Doctoral thesis, Keele University.


Ratcliffe, Robert James (2012) New forms of hybrid musical discourse; an exploration of stylistic and procedural cross-fertilisation between contemporary art music and electronic dance music. Doctoral thesis, Keele University.

Reyland, NW (2015) Corporate Classicism and the Metaphysical Style: Affects, Effects, and Contexts of Two Recent Trends in Screen Scoring. Music, Sound, and the Moving Image, 9 (2). 115 - 130.

Reyland, NW (2015) The Spaces of Dream: Lutoslawski's Modernist Heterotopias. Twentieth-Century Music, 12 (1). 37 -70.


Sanfilippo, KRM, Spiro, N, Molina-Solana, M and Lamont, A ORCID: (2020) Do the shuffle: Exploring reasons for music listening through shuffled play. PLoS One, 15 (2).

Shave, Thomas (2013) Hybridism: a practice-led investigation. Doctoral thesis, Keele University.

Shufflebotham, James David (2022) Gravitonicity: towards a model of the ‘Gravitation’ in Music. Doctoral thesis, Keele University.

Spasov, M ORCID: (2023) Johann and Eric for bass clarinet and electronics (2021) (6 min). [Composition]

Spasov, M ORCID: (2023) Sabda Vidya No.1 for violin and cello (2022) (10 min). [Composition] (Unpublished)

Spasov, M ORCID: (2022) Sabda Vidya No.1 for violin and violoncello. [Composition] (Unpublished)

Spasov, M ORCID: (2022) Ten Sefirot for piano and electronics (2021) (25 minutes). [Composition] (Unpublished)

Spasov, M ORCID: (2020) IDIOSYNCRASIES for contrabass clarinet and live electronics. [Composition]


Tartaglia, JPF (2016) Jazz-Philosophy Fusion. Performance Philosophy, 2 (1). 1 -16.

Tartaglia, JPF (2017) The Sound of Philosophy. Philosophy Now (119).


Vasilakos, Konstantinos (2016) An evaluation of digital interfaces for music composition and improvisation. Doctoral thesis, Keele University.

Vaughan, MP (2016) Register, Dialect, Convolution and ‘Crosstalk’: reflections on ‘… the zones of influence and hybridity between electroacoustic, acousmatique music, techno and IDM’. Contemporary Music Review, 35 (2). pp. 166-183.


Watts, Sarah (2015) Spectral Immersions: A Comprehensive Guide To The Theory And Practice Of Bass Clarinet Multiphonics. Doctoral thesis, Keele University.

Weinel, Jonathan (2012) Altered states of consciousness as an adaptive principle for composing electroacoustic music. Doctoral thesis, Keele University.

Williams, AJ (2018) Between Modernism and Postmodernism: Structure and Expression in John Adams, Kaija Saariaho and Thomas Ades. In: The Routledge Research Companion to Modernism in Music. Routledge, 327 - 352.

Williams, AJ (2017) Genres and Theatres: Wolfgang Rihm's Opera-Fantasy Dionysos. Contemporary Music Review, 36 (4). pp. 279-310.

Willy, Andrew Martyn (2013) A portfolio of compositions consisting of Sketches, Mutations, Evolution, Emergence, Insomnia, Xpressions, and Ut infinitio quod ultra. Doctoral thesis, Keele University.

This list was generated on Fri Nov 3 07:31:07 2023 UTC.