Keele Research Repository
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- Library of Congress Subject Areas (44)
- P Language and Literature (44)
- PN Literature (General) (44)
- PN0080 Criticism (44)
- PN Literature (General) (44)
- P Language and Literature (44)
A
Ambrose, Kathryn Louise (2010) (En)gendering barriers: a comparative discussion of the woman question in mid- to late-nineteenth-century English, German and Russian literatures. Doctoral thesis, Keele University.
Amigoni, D (2017) 'The Conveyance of Thought' in the Wonderful Century of Science. In: Interventions: Re-thinking the Nineteenth Century. Manchester University Press, Manchester.
Amigoni, D (2017) Writing the scientist: biography and autobiography. In: Ashgate Research Companion to Nineteenth-century Literature and Science. Ashgate.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
Beyond a Joke: Parody in English Film and Television Comedy.
I. B. Tauris, London.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014).
Studies in European Cinema, 13 (3).
pp. 246-259.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2017)
Genre on the Road: The Road Movie as Automobilities Research.
Mobilities, 12 (4).
pp. 509-519.
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2017)
Gone Girl (2012/14) and the Use(s) of Culture.
Literature Film Quarterly.
(In Press)
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
'Speeds of Sound: On Fast Talking in Slow Movies'.
Cinema Journal, 55 (2).
Archer, N ORCID: https://orcid.org/0000-0001-9035-1979
(2016)
The road movie: in search of meaning.
Short Cuts: Introductions to Film Studies
.
New York, London, ? - ? (144).
B
Bentley, NP ORCID: https://orcid.org/0000-0002-3096-9002
(2018)
Trailing Postmodernism: David Mitchell's Cloud Atlas, Zadie Smith’s NW, and the Metamodern.
English Studies, 99 (7).
pp. 723-743.
Bowler, RM (2016) Hospitality, Nostalgia, and the Itinerant Hero(ine) in Dorothy Richardson’s Pilgrimage and Ford Madox Ford’s Parade’s End. In: Security and Hospitality in Literature and Culture : Modern and Contemporary Perspectives. Routledge, London.
Bowler, RM (2015) Pot-boilers or “Glimpses” of Reality? The Cultural and the Material in the Modernist Short Story. In: British Women Short Story Writers: The New Woman To Now. Edinburgh University Press, Edinburgh, 50 - 65.
Bruce, SE ORCID: https://orcid.org/0000-0002-5929-0685
(2017)
Fictional Bodies, Factual Reports: Public inquiries, tv drama, and the interrogation of the NHS.
Journal of British Cinema and Television, 14 (1).
pp. 1-18.
C
Coquaz, ALN (2017) “I am the sum of my languages” (Hoffman 1989: 273) – Bilingual Writing: Transitional Spaces and Reconciliation. Writing in Practice, 3.
F
Featherstone, MA (2016) Carnotopia: The Culture of Sadism in Nymphomaniac, Shame, and Thanatomorphose. In: Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body. Wallflower, New York.
Featherstone, MA (2017) The Letting Go: The Horror of Being Orphaned in Nicolas Winding Refn's Cinema. Journal of Cultural Research.
Flood, MG (2018) (Un)familiar Fictions: The 17th October 1961 Massacre And Jacques Panijel’s Octobre À Paris (1962). Forum for Modern Language Studies, 54 (2). pp. 157-175.
Flood, MG ORCID: https://orcid.org/0000-0002-7858-606X
(2019)
The Very Worst Things: Vulnerability and Violence in Djamila Sahraoui's Yema (2012).
Studies in French Cinema, 19 (3).
pp. 246-264.
H
Hagan, RJ (2019) Touch Me/Don’t Touch Me: Representations of Female Archetypes in Ann Nocenti’s Daredevil. The Comics Grid: Journal of Comics Scholarship, 9 (1).
J
Janes, D (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. University of Chicago Press, Chicago, ? - ? (267).
Janes, D and Waller, GF (2010) Walsingham in literature and culture from the Middle Ages to modernity. Ashgate, Farnham, ? - ? (251).
K
Kistler, JL (2018) Rethinking the New Woman in Dracula. Gothic Studies, 20 (1-2). pp. 244-256.
L
Lau, L ORCID: https://orcid.org/0000-0001-7295-336X and Mendes, AC
(2014)
India through re-Orientalist Lenses.
Interventions: International Journal of Postcolonial Studies, 17 (5).
pp. 706-727.
Lau, L ORCID: https://orcid.org/0000-0001-7295-336X and Mendes, AC
(2018)
Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid’s and Mira Nair’s The Reluctant Fundamentalist.
Journal of Commonwealth Literature, 53 (1).
pp. 78-91.
Lau, LE ORCID: https://orcid.org/0000-0001-7295-336X
(2019)
Romancing the other: Arundhati Roy’s The Ministry of Utmost Happiness.
Journal of Commonwealth Literature.
Lippens, RLG (2018) When Law became Mobile: The Birth of the Haptic Gaze between Van Eyck's 'Man in a Red Turban' (1433) and da Messina's Male Portrait Series (1474-78). Law and Humanities, 11 (Winter).
Love, H W (1977) Dramatic action and character: a study of the theories and practice of T.S. Eliot and Bertolt Brecht. Doctoral thesis, Keele University.
Lustig, TJ ORCID: https://orcid.org/0000-0003-1206-9163
(2017)
Mocking the Master: Early Responses to The Sacred Fount.
The Henry James Review, 38 (1).
pp. 22-36.
M
McCracken, S (2016) The commune in exile: urban insurrection and the production of international space. In: Nineteenth-Century Radical Traditions. Palgrave Studies in Nineteenth-Century Writing and Culture . Palgrave, London, pp. 113-136.
McWilliam, DS (2015) Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott’s Prometheus (2012). Journal of the Fantastic in the Arts, 26 (3).
McWilliam, DS (2016) London's Dispossessed: Questioning the Neo-Victorian Politics of Neoliberal Austerity in Richard Warlow's Ripper Street. Victoriographies, 6 (1). 42 - 61.
Morgan, CM ORCID: https://orcid.org/0000-0002-1104-2842
(2016)
Walking studies, the eastern townships, and William S. Messier’s Dixie.
Nottingham French Studies, 55 (2).
pp. 224-238.
P
Palladino, M ORCID: https://orcid.org/0000-0001-6088-5013
(2017)
(Im)mobility and Mediterranean migrations: journeys ‘between the pleasures of wealth and the desires of the poor'.
The Journal of North African Studies, 23 (1/2).
pp. 71-89.
Palladino, M ORCID: https://orcid.org/0000-0001-6088-5013 and Woolley, A
(2018)
Migration, Humanitarianism, and the Politics of Salvation.
LIT: Literature Interpretation Theory, 29 (2).
pp. 129-144.
Peacock, JH (2015) Brooklyn fictions: the contemporary urban community in a global age. Bloomsbury Publishing, London, ? - ? (272).
Peacock, JH (2018) Charles Brockden Brown’s Wieland; or The Transformation (1798). In: The Gothic: a reader. Peter Lang, Oxford, pp. 39-44.
Peacock, JH (2016) 'My thoughts shifted from the past to the future': Time and (autobio)graphic representation in Miné Okubo’s Citizen 13660. Journal of Postcolonial Writing, 52 (4). pp. 445-463.
Peacock, JH (2020) Self-Dispersal and Self-Help: Paul Auster's Second Person. Critique - Studies in Contemporary Fiction.
S
Seager, NP ORCID: https://orcid.org/0000-0002-4429-2047
(2019)
Crusoe's Crusade: Defoe, Genocide, and Imperialism.
Etudes anglaises, 70 (2).
pp. 196-212.
Seager, NP ORCID: https://orcid.org/0000-0002-4429-2047
(2021)
Defoe, the Sacheverell Affair, and A Letter to Mr. Bisset (1709).
Papers of the Bibliographical Society of America, 115 (1).
pp. 79-86.
Seager, NP ORCID: https://orcid.org/0000-0002-4429-2047
(2018)
Pouring out of one vessel into another: Originality and Imitation in Two Modern Adaptations of Tristram Shandy.
Adaptation, 11 (3).
pp. 228-251.
Shears, JR (2017) In One We Shall Be Slower: Byron, Retribution and Forgiveness. Christianity and Literature, 66 (2). pp. 193-212.
Y
Yearling, R (2016) 'The Poets' War Revisited'. Ben Jonson Journal: literary contexts in the age of Elizabeth, James, and Charles, 23 (2). pp. 231-245.
Yearling, R (2019) Using Kolb's Learning Cycle as a Basis for Seminar-Structuring in English Literature. Journal of Academic Development and Education (11).