Group by: Creators | Item Type
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Number of items at this level: 44.


Ambrose, Kathryn Louise (2010) (En)gendering barriers: a comparative discussion of the woman question in mid- to late-nineteenth-century English, German and Russian literatures. Doctoral thesis, Keele University.

Amigoni, D (2017) 'The Conveyance of Thought' in the Wonderful Century of Science. In: Interventions: Re-thinking the Nineteenth Century. Manchester University Press, Manchester.

Amigoni, D (2017) Writing the scientist: biography and autobiography. In: Ashgate Research Companion to Nineteenth-century Literature and Science. Ashgate.

Archer, N ORCID: (2016) Beyond a Joke: Parody in English Film and Television Comedy. I. B. Tauris, London.

Archer, N ORCID: (2016) Fan du Cinéma: Imitation, Europe and The Trip to Italy (2014). Studies in European Cinema, 13 (3). pp. 246-259.

Archer, N ORCID: (2017) Genre on the Road: The Road Movie as Automobilities Research. Mobilities, 12 (4). pp. 509-519.

Archer, N ORCID: (2017) Gone Girl (2012/14) and the Use(s) of Culture. Literature Film Quarterly. (In Press)

Archer, N ORCID: (2016) 'Speeds of Sound: On Fast Talking in Slow Movies'. Cinema Journal, 55 (2).

Archer, N ORCID: (2016) The road movie: in search of meaning. Short Cuts: Introductions to Film Studies . New York, London, ? - ? (144).


Bentley, NP ORCID: (2018) Trailing Postmodernism: David Mitchell's Cloud Atlas, Zadie Smith’s NW, and the Metamodern. English Studies, 99 (7). pp. 723-743.

Bowler, RM (2016) Hospitality, Nostalgia, and the Itinerant Hero(ine) in Dorothy Richardson’s Pilgrimage and Ford Madox Ford’s Parade’s End. In: Security and Hospitality in Literature and Culture : Modern and Contemporary Perspectives. Routledge, London.

Bowler, RM (2015) Pot-boilers or “Glimpses” of Reality? The Cultural and the Material in the Modernist Short Story. In: British Women Short Story Writers: The New Woman To Now. Edinburgh University Press, Edinburgh, 50 - 65.

Bruce, SE ORCID: (2017) Fictional Bodies, Factual Reports: Public inquiries, tv drama, and the interrogation of the NHS. Journal of British Cinema and Television, 14 (1). pp. 1-18.


Coquaz, ALN (2017) “I am the sum of my languages” (Hoffman 1989: 273) – Bilingual Writing: Transitional Spaces and Reconciliation. Writing in Practice, 3.


Featherstone, MA (2016) Carnotopia: The Culture of Sadism in Nymphomaniac, Shame, and Thanatomorphose. In: Transgression in Anglo-American Cinema: Gender, Sex, and the Deviant Body. Wallflower, New York.

Featherstone, MA (2017) The Letting Go: The Horror of Being Orphaned in Nicolas Winding Refn's Cinema. Journal of Cultural Research.

Flood, MG (2018) (Un)familiar Fictions: The 17th October 1961 Massacre And Jacques Panijel’s Octobre À Paris (1962). Forum for Modern Language Studies, 54 (2). pp. 157-175.

Flood, MG ORCID: (2019) The Very Worst Things: Vulnerability and Violence in Djamila Sahraoui's Yema (2012). Studies in French Cinema, 19 (3). pp. 246-264.


Hagan, RJ (2019) Touch Me/Don’t Touch Me: Representations of Female Archetypes in Ann Nocenti’s Daredevil. The Comics Grid: Journal of Comics Scholarship, 9 (1).


Janes, D (2015) Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. University of Chicago Press, Chicago, ? - ? (267).

Janes, D and Waller, GF (2010) Walsingham in literature and culture from the Middle Ages to modernity. Ashgate, Farnham, ? - ? (251).


Kistler, JL (2018) Rethinking the New Woman in Dracula. Gothic Studies, 20 (1-2). pp. 244-256.


Lau, L ORCID: and Mendes, AC (2014) India through re-Orientalist Lenses. Interventions: International Journal of Postcolonial Studies, 17 (5). pp. 706-727.

Lau, L ORCID: and Mendes, AC (2018) Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid’s and Mira Nair’s The Reluctant Fundamentalist. Journal of Commonwealth Literature, 53 (1). pp. 78-91.

Lau, LE ORCID: (2019) Romancing the other: Arundhati Roy’s The Ministry of Utmost Happiness. Journal of Commonwealth Literature.

Lippens, RLG (2018) When Law became Mobile: The Birth of the Haptic Gaze between Van Eyck's 'Man in a Red Turban' (1433) and da Messina's Male Portrait Series (1474-78). Law and Humanities, 11 (Winter).

Love, H W (1977) Dramatic action and character: a study of the theories and practice of T.S. Eliot and Bertolt Brecht. Doctoral thesis, Keele University.

Lustig, TJ ORCID: (2017) Mocking the Master: Early Responses to The Sacred Fount. The Henry James Review, 38 (1). pp. 22-36.


McCracken, S (2016) The commune in exile: urban insurrection and the production of international space. In: Nineteenth-Century Radical Traditions. Palgrave Studies in Nineteenth-Century Writing and Culture . Palgrave, London, pp. 113-136.

McWilliam, DS (2015) Beyond the Mountains of Madness: Lovecraftian Cosmic Horror and Posthuman Creationism in Ridley Scott’s Prometheus (2012). Journal of the Fantastic in the Arts, 26 (3).

McWilliam, DS (2016) London's Dispossessed: Questioning the Neo-Victorian Politics of Neoliberal Austerity in Richard Warlow's Ripper Street. Victoriographies, 6 (1). 42 - 61.

Morgan, CM ORCID: (2016) Walking studies, the eastern townships, and William S. Messier’s Dixie. Nottingham French Studies, 55 (2). pp. 224-238.


Palladino, M ORCID: (2017) (Im)mobility and Mediterranean migrations: journeys ‘between the pleasures of wealth and the desires of the poor'. The Journal of North African Studies, 23 (1/2). pp. 71-89.

Palladino, M ORCID: and Woolley, A (2018) Migration, Humanitarianism, and the Politics of Salvation. LIT: Literature Interpretation Theory, 29 (2). pp. 129-144.

Peacock, JH (2015) Brooklyn fictions: the contemporary urban community in a global age. Bloomsbury Publishing, London, ? - ? (272).

Peacock, JH (2018) Charles Brockden Brown’s Wieland; or The Transformation (1798). In: The Gothic: a reader. Peter Lang, Oxford, pp. 39-44.

Peacock, JH (2016) 'My thoughts shifted from the past to the future': Time and (autobio)graphic representation in Miné Okubo’s Citizen 13660. Journal of Postcolonial Writing, 52 (4). pp. 445-463.

Peacock, JH (2020) Self-Dispersal and Self-Help: Paul Auster's Second Person. Critique - Studies in Contemporary Fiction.


Seager, NP ORCID: (2019) Crusoe's Crusade: Defoe, Genocide, and Imperialism. Etudes anglaises, 70 (2). pp. 196-212.

Seager, NP ORCID: (2021) Defoe, the Sacheverell Affair, and A Letter to Mr. Bisset (1709). Papers of the Bibliographical Society of America, 115 (1). pp. 79-86.

Seager, NP ORCID: (2018) Pouring out of one vessel into another: Originality and Imitation in Two Modern Adaptations of Tristram Shandy. Adaptation, 11 (3). pp. 228-251.

Shears, JR (2017) In One We Shall Be Slower: Byron, Retribution and Forgiveness. Christianity and Literature, 66 (2). pp. 193-212.


Yearling, R (2016) 'The Poets' War Revisited'. Ben Jonson Journal: literary contexts in the age of Elizabeth, James, and Charles, 23 (2). pp. 231-245.

Yearling, R (2019) Using Kolb's Learning Cycle as a Basis for Seminar-Structuring in English Literature. Journal of Academic Development and Education (11).

This list was generated on Fri Nov 3 07:31:16 2023 UTC.